Curtis’s Notting Hill (1999), sealed that part of West London’s transformation from the bohemian hangout of Mick Jagger in Performance and Michael Caine in The Italian Job to the home of the laidback and loaded – people like Richard Curtis, in other words. Indeed, the door from which we see bumbling William Thacker (Hugh Grant) emerge was the writer’s own, at 280 Westbourne Park Road. There have been changes: Thacker’s travel bookshop at 142 Portobello Road was really an antique dealer’s but is now a gift shop bearing the film’s name, while the cinema where he memorably wears prescription diving goggles was the Coronet, now a theatre. That said, Portobello Market(pictured) where we see William walk through the seasons, still thrives despite its shifting clientele, while nearby Golborne Road, site of his friend Tony’s restaurant, remains relatively unaffected. And the gardens where Thacker climbs in with superstar paramour Anna Scott (Julia Roberts), off Rosmead Road, remain as firmly locked to non-residents as ever.
His first film as director, 2003’s Love, Actually, is also London-based, but on a much broader scale, as fits a multi-strand movie. Juliet (Kiera Knightley) is married at the Grosvenor Chapel, South Audley Street in Mayfair, Harry (Alan Rickman) buys that fateful necklace in Selfridge’s on Oxford Street, Mark (Andrew Lincoln) moves between his gallery in Great Sutton Street, Clerkenwell and his flat on Oxo Tower Wharf on the South Bank, and the bumbling PM (Hugh Grant again) reveals his relationship with his cleaner at a concert at Elliott School in Putney. We also see Somerset House and Whiteley’s department store but there is a return to Curtis HQ for Mark’s problematic card-based declaration of love to Juliet, in St Luke’s Mews in good old Notting Hill.